Published
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The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut, A GIRL WALKS HOME ALONE AT NIGHT, basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
In this first episode of our behind the scenes series, we go to director Ana Lily’s home to talk about her love of vampires, David Lynch and the unique Iranian/American hybrid world of Bad City she constructed for the film.
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The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut, A GIRL WALKS HOME ALONE AT NIGHT, basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
In this first episode of our behind the scenes series, we go to director Ana Lily’s home to talk about her love of vampires, David Lynch and the unique Iranian/American hybrid world of Bad City she constructed for the film.
Learn more at
Click here to subscribe to VICE:
Check out our full video catalog:
Videos, daily editorial and more:
Like VICE on Facebook:
Follow VICE on Twitter:
Read our Tumblr:
Follow us on Instagram:
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